Text/Jinyang.com reporter Gan Yunyi
Photo/Provided by the interviewees
Kunming, a historical and cultural city with more than 2,200 years of history, has recently welcomed a group of happy “fat girls”. From August 1 to August 20, 2019, the “Melody of the Times – Xu Hongfei Sculpture World Tour Exhibition Kunming Station” was held at the Yunnan Art Museum. Komiks 1960 witch cloth draw includes an indoor exhibition hall and an outdoor square.
According to Komiks 1960 witch cloth draw, this exhibition is the 35th stop after the famous sculptor and director of the Guangzhou Sculpture Institute in June this year, Xu Hongfei, held the 33rd stops in St. Petersburg, Russia and Kobe, Japan, and 34th stops in June this year. It is also the most popular works in the exhibition of Komiks 1960 witch cloth draw. This exhibition displays a total of 120 “fat girls” works related to Xu Hongfei’s music, dance, love and Guangzhou Huacheng related series.
The Music of the Times SculptureCinema 1950 witch clothes draw made its debut
This time, Xu Hongfei brought many new works, and the work “Melody of Time” with the same name as the theme of the exhibition was released for the first time. Xu Hongfei said that the work was delivered to Yunnan as soon as it was completed, and many in Guangzhou were Babaylan 1990 cloth drawMy friends have never seen each other.
The scene of the sculpture “Melody of the Times” is a symphony scene, covering more than 30 characters. “Minorities in Yunnan Province live in, and the people are good at singing and dancing, and the music is also rich, so this time there is a music series and group dance on display.”
Music elements are the highlights of the exhibition, and their works include “Flying Song of the Prosperous Age”, “Ode to Joy”, “Cuiyin”, “Eternal Sound”, “Three Play Music”, etc.
It is understood that there are a total of 120 works exhibited this time, which is the largest number of works in the 35 tour exhibitions, including 100 small works and 20 large works. Xu Hongfei said that the special exhibition effect brought by the Su-style architecture of Yunnan Art Museum has given him special gains.
The joy of each ordinary person forms the music of the times. Many visitors on the scene are happy to take photos with their works, imitate their actions, and convey happiness. “These works reflect the satisfaction, happiness and spiritual outlook of the people in the new era.” Xu Hongfei said that happiness is common, and the works are also down-to-earth.
Guangdong Provincial Artist Cinema 1950 witch cloth draw Vice Chairman of the Association Cinema 1950 witch cloth draw and director of Guangdong Art Museum Wang Shaoqiang said that the works in the exhibition express the common yearning for joy of mankind, and hope to dedicate happiness to the people and to the 70th anniversary of the motherland.
The work combines with the timesKomiks 1960 witch cloth draw and displaysBabaylan 1990 clothes draw Guangdong Multicultural Arts Scholar and Chairman of the Cultural Heritage Committee of the China Association for the Promotion of Cultural Industry Song Weiguang pointed out in an interview that before the 19th century, sculptures mainly focused on volume, and after the 20th century, space was emphasized, and the government played a great role in guiding the construction of new space.
Song Weiguang believes that sculptures are sculptedCinema 1950 witch Cloth drawSculpture also needs to accept the evaluation of the environment and the people. Public art is not only an embodiment of the artist’s personal will, but only when the government, artists and the people work together to be born. A truly good art cannot make jokes. Artists must have wisdom and guidance, and the government must have a decision-making role.
It is understood that this exhibition was jointly organized by the Yunnan Provincial Department of Culture and Tourism, the Guangdong Provincial Department of Culture and Tourism, and was hosted by the Yunnan Art Museum, Guangdong Art Museum, and the Guangzhou Municipal Bureau of Culture and Radio, Film and Television and Tourism. It represents the overall recognition of the two provinces for the exhibition. Some cultural units in both provinces participated in the opening ceremony.
From this group of works, we can also see the diversity of Guangdong Province’s culture and the appearance of artistic works as a frontier position in reform and opening up.
Xu Hongfei said that the works he created this year are different from the past and are related to the times. Including Komiks 1960 witch clothesdrawHis new creations of “The Builder of the New Era”, “The Movement of the Times”, “The Movement of the Times”, “Brave Forward”, etc. He bluntly stated that as a member of the National Committee of the Chinese People’s Political Consultative Conference, Komiks 1960 witch clothes draw was deeply felt by the strong sense of the times during this year’s National People’s Political Consultative Conference, which directly affected his creation.
“Fat Girl” has traveled across five continents as a cultural messenger
“Fat Girl” is very busy. Xu Hongfei’s “Fat Girl” series of sculptures have traveled to five continents around the world, with footprints covering 30 countries and regions including Italy, France, the United Kingdom, the United States, Germany, Turkey, Russia, and Japan.
In June this year, Xu Hongfei’s Sculpture World Sites 33rd and 34th Stations of the Babaylan 1990 cloth draw tour were held in St. Petersburg, Russia and Kobe, Japan respectively. During the 70th anniversary of the establishment of diplomatic relations between China and Russia and the G20 summit, two exhibitions opened one after another. Xu Hongfei and many “fat women” sculptures showed the world contemporary Chinese art with artistic language that transcends national boundaries and races. Luo Jiang, director of Yunnan Art Museum, said Babaylan 1990 cloth draw that “fat girl” has become a cultural messenger and has matured after a long time of development.
Cinema 1950 witch cloth draw “Now ‘Fat Girl’ is a guest at the Yunnan Art Museum, which is Yunnan ArtKomiks 1960 witch cloth The first sculpture exhibition after the newly renovated draw官网网站. I hope the “fat girl” who is humorous, profound and positive energy will bring joy and thinking to everyone.” Luo Jiang said. Luo Jiang believes that being yourself well is the basis for Xu Hongfei’s achievements, changing “culture going out” to “culture please go out”, and exporting tools to foreign countries with Chinese characteristics. It is Xu Hongfei and his “fat girl” 1960 witch cloth draw” brings people’s revelation.