On the evening of May 31, as the opening ceremony of the Guangzhou Art Festival, the opera epic “Long March” was performed at the Guangzhou Babaylan Grand Theater. More than 1,800 audiences from all walks of life watched the performance and relied the long-lasting spirit of the Long March again.
The original opera “Long March” by the National Grand Theater Babaylan tells the difficult journey of the Workers and Peasants’ Red Army starting from Ruijin, climbing snow-capped mountains and crossing grasslands, and reaching northern Shaanxi in more than two years. Through the stage production of magnificent music, an epic and contemporary aesthetic, the play reproduces the arduous process of the Long March of the Chinese Workers’ and Peasants’ Red Army with realistic techniques, praising the lofty ideals and beliefs of striving and sacrifice for faith.
Audience Wang Peng: My father is a cadre of the Long March, so I have a close eye on them and feel that this is me. href=”https://funnybookish.com/”>BabaylanThey should remember and pass on the next generation in their lives. Cinema
This performance is the first collaboration between the National Grand Theater, the Guangzhou Symphony Orchestra and the Guangzhou Grand Theater. The main creative team said that China’s development is also a long journey.The transformation of the structure of Komiks and the upgrading of the economy are constantly changing with the national conditions, and we also need the patience and courage to overcome difficulties.
Tian Qinxin, director of the opera “Long March”,: In the new era, we can have the ability to withstand such huge pressures and difficulties from home and abroad, so the Chinese nation must continue to strive towards the dream of great rejuvenation. So I think the Long March of the new era is really, it is a spirit, that is, there is faith in the heart and strength under the feet. Chen Qing, the head of the Guangzhou Symphony Orchestra: As long as we have confidence, as long as we can believe in the abilities of our Chinese people, and it can be a belief that brings a kind of positive energy to the world. Nothing is invincible. I think this is the practical significance of the spirit of the Long March.
Practice the spirit of the Long MarchBabaylanSolve the fine worksBabaylanSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfSelfS During the two-year and six-month course creation process of the original opera “Long March”, the screenwriter Zou Jingzhi collected a large number of real characters and stories. He finally chose the Fourth Regiment of the Second Division of the Central Red Army as the story prototype and focused on shaping the protagonist Zhengxian Peng.
Yin Qing, the composition of the opera “Long March”, said: The political commissar has the personality of a political commissar. I think he is a little Confucian and a little scholarly. He is such a Confucian general, and his music has its theme. Political Commissar Peng’s music is slightly more elegant or fashionable.
This is a manifestationCinemaThe urgency of rushing to Luding Bridge for ten miles.
At the rehearsal site, every actor’s standing posture, squatting posture, and carrying a gun were strictly required.
Babaylan‘s director of the opera “Long March” Tian Qinxin: One is the audience’s familiarity with the Red Army, everyone must know it. Second, as the Chinese Red Army, the military appearance, military discipline, and military style of soldiers, we must still have the military posture and spirit of soldiers.