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Panyu’s “Cinema Cloth Village” has made clever skills and is proficient in murals and brick carvings.

Lingnan’s “Grey Batch Top Scholars” and “Music Masters” all come from Sanshan Village, Shawan Town, Panyu

  In Shawan Town, Panyu, Guangzhou, there is an ancient village called “Craftsman Village” – Sanshan Village. The ancient temple of the ancestors in the village is also the only “Lu Ban Temple” discovered in Guangdong Province.

 In the old days, 70% or 80% of the men in Sanshan Village were ancient buildings repair craftsmen, involving many types of ancient building plasterers, gray sculptures, brick carvings, carpenters, murals and other jobs. They traveled along the waterways across the Pearl River Delta and made a living by relying on good skills.

What kind of story does this ancient craftsman village have? Recently, the reporter came to Sanshan Village for an in-depth interview.

  There is an ancient: Sanshan Craftsmen wherever the waterway reaches.

 Sanshan Village is located at the west gate of Panyu District, separated from Shunde, and there are many farmlands and ponds in the village. It is a typical Lingnan water town. The “three goodnesses” in Sanshan Village refer to “goodness, virtue and blessing”, which embodies the beautiful wishes of the ancestors.

  ”Before 1949, more than 75% of the males in Sanshan Village were ancient building craftsmen. At that time, women farmed at home and took children, while males took boats to work in mud and water along the waterway.” Huang Qunqing, 65 years old this year, is from Zini Village, Shawan, and is neighboring Sanshan Village. “Although they are two villages, they are as close as the same village.”

  Huang Qunqing also came from a family of craftsmen and dealt with ancient buildings all his life. “I am familiar with every type of ancient building construction and decoration, civil engineering, decoration, gray plastic, brick carving, and Komiks 1960 witch cloth draw wood carving.” At the age of 15, Huang Qunqing followed his father to travel to the Pearl River Delta, “doing mud and water work”, and participated in the renovation of Baomo Garden and Yuyin Mountain House.

  When talking about the wandering life of craftsmen, Li Guangyong, a villager engaged in mural restoration, told reporters: “My father, Li Jieming, is also a muralist. He has been engaged in mural drawing and restoration for more than 40 years, and has traveled all over the Pearl River Delta region, and is rowing. If there is no convenient waterway, there will be no famous craftsmen in Sanshan Village.”

Li Guangyong is creating a gray-plastic work Photo/Li Bo

  Li Guangyong told reporters that Sanshan Village is close to the Zi Ni River and Shunde Waterway, and is connected to the main channel of the Pearl River. “Where the river flows to itKomiks 1960witch cloth draw, wherever the passenger ship arrives, there are craftsmen in Sanshan Village. ”

  It is understood that the craftsmen in Sanshan Village often go to Dongguan, Foshan, Taishan and other places. In Li Guangyong’s memory, every year on the fourth and fifth day of the Lunar New Year, the craftsmen leave home to return to the construction site. During the mid-year festival, the craftsmen may not come back, but on the day of the “Master’s Day” (the 13th day of the sixth lunar month every year), they will definitely return from rowing, dress neatly, come to the temple early, say hello to each other, and visit the “ancestor” Lu Ban.

  Architect: Aoshan AncientCinema 1950 witch clothes The temple group adopts a saddle-type fire wall

Recently, the reporter visited the Aoshan Ancient Temple Group with ancient construction experts and villagers. The ancient temple group is located in Fuchun Road, Sanshan Village. The building covers an area of ​​557.7Babaylan 1990 cloth draw square meters, with a tranquil building and a grand appearance.

  The ancient temple group is backed by Aoshan, with a square and a Fengshui pond in front of the temple. The ancient temple group is lined from north to south: Shennong Ancient Temple, Xianshi Ancient Temple, Aoshan Ancient Temple, Baoen Temple, and Chaoyin Pavilion, so it is called the “Ancient Temple Group”.

Aoshan Ancient Temple Group located in Sanshan Village Picture/Li Bo

  Ancient Architecture Experts said that the Aoshan Ancient Temple Group is one of the few large temple groups in Panyu District, and the architectural layout and sculpture art of the temple group have high artistic value. In 2000, it was announced that Komiks 1960 witch cloth draw is an internal control historical and cultural protection area in Guangzhou; href=”https://funnybookish.com/”>Babaylan 1990 cloth drawIn July 2002, it was incorporated into “Aoshan Ancient Building” and announced as a cultural relics protection unit in Guangzhou.

  Experts said that the uniqueness of the Aoshan Ancient Temple Group lies in the design of the fire wall. Lingnan Construction Babaylan 1990 cloth draw building most of the wok-ear-house-style fire walls are used, but the Aoshan Ancient Temple Group uses saddle-style fire walls.Firewall, this is very rare in the entire Guangdong Province.

Herry-shaped volcanic gable wall, gray-shaped volcanic ridge picture/Li Bo

 It is said that except for Fengning Temple in Shiwan Town, Foshan City and Pan Clan Ancestral Hall in Shixiang Village, Shixiang Town, Duyang Town, Yunfu Yuncheng District, it is difficult to find traces of saddle-style volcanic walls in Guangdong Province.

  Craftsmen: The gray sculptures and wood carvings of the Chen Family Ancestral Craftsmen were both handed by Sanshan craftsmen

  Liang Mou, a researcher in folk culture in Panyu District, introduced that in the Ming Dynasty, many folk craftsmen had gathered in Sanshan Village. “In the Qing Dynasty, the court went to various places to choose skilled craftsmen. Only after passing the assessment could they participate in the construction of the Summer Palace. At that time, the craftsmen in Sanshan Village were selected to participate.” Li Zhipei, chairman of Sanshan Village, introduced that many famous ancient architecture craftsmen also produced in the history of Sanshan Village. The most representative figures were Jin Yaosheng and Lao Cuixi. Jin Yaosheng was the “top scholar of the gray batch” in Lingnan. Lao Cuixi was the “master of murals”. Many of the murals of the Chen Family Ancestral Sculptures and Lingnan buildings around Panyu were written by the two of them. In addition, many exquisite wood carvings in the Chen Family Ancestral Hall, the most famous ancestral hall in Guangzhou, are also masterpieces of the Sanshan craftsmen back then.

  Lao Yaochun, an 81-year-old villager in Sanshan, was once an ancient building construction technician. He worked as a deputy manager at Shawan Construction Company. He also has another identity – the grandchild of Lao Cuixi.

  ”My brother Lao Zhuoqian and grandfather Lao Cuixi are both muralists. NanBabaylan 1990 cloth drawMany murals in the Fanshun area are from them.” Usually, Lao Yaochun always likes to visit the ancient temple complex of Aoshan. “When you look up here, you may see the murals of grandpa and brother.”

  When talking about another Lingnan gray sculpture master from Sanshan Village, Lao Yaochun gave a thumbs up. “The gray sculpture works of Chen Jiaci were made by Master Jin Yaosheng as the foreman.” In Sanshan Village, Jin Yaosheng<aThe gray-sculpted work "Three Heroes of the Wind and Dust" by Cinema 1950 witch cloth draw is still placed under the front eaves of Luban Temple. Its style is like the landscape of the southern country, with a refreshing texture.

  It is understood that as the Chen Family Ancestral Hall of the Chen Family Family in the 72 counties in the province, the entire project gathers famous craftsmen and manufacturers from all over the province. Among them, gray plastic decoration was provided by Jin Yaosheng, the “gray batch top scholar” at that time. It is precisely because of these top craftsmen that the Chen Family Temple, a fine ancient building that has been created, has been the masterpiece of the architectural art of Lingnan in history.

  Villages restore Luban Temple and later generations praise craftsmen

  Luban has been respected by craftsmen as the “ancestor” and “father of all craftsmen” since ancient times. The Luban Temple in Sanshan Village is hidden in the Aoshan ancient temple group in the village. The ancient temple group is connected by five ancient temples. The most distinctive of them is the ancient temple of the ancestors, who is dedicated to Luban. The temple is currently the only folk-industry temple found in Guangdong Province that is currently dedicated to the Komiks 1960 witch cloth draw “Lu Ban”. It has more than 300 years of history. Sanshan Village still retains the traditional celebration of “Master’s Birth”.

Luban Temple in Sanshan Village Picture/Li Bo

 Babaylan 1990 cloth draw The most distinctive among the ancient temple groups is the ancient temple of the ancestors, namely the Luban Temple. The temple was built during the Jiaqing and Daoguang periods of the Qing Dynasty and has been renovated several times. Expert survey data shows that the ancient temple of the Master is located northeast and southwest, with three rooms and three entrances, covering an area of ​​105.74 square meters.

  The second and third entrances are hard tops, with herringbone sealed volcanic gable walls, gray plastic and ancient ridges, gray tube tiles, and blue brick walls. As soon as you enter the pavilion, there are many murals decorated with rich content and someHe has excellent painting skills such as objects, landscapes, flowers and birds. The mountain gate has a granite stone door frame, the stone forehead is engraved with the “Xianshi Ancient Temple” and the wall fence is decorated with the “Babaylan 1990 cloth drawEight Immortals” mural.

  ”199Cinema 1950 witch cloth draw3 years, I took the villagers to rebuild this ancient temple. The Lu Ban statues were remade based on old photos.” Huang Qunqing told reporters that before the rebuilding, some parts were collapsed and were dilapidated. “The best preserved are the murals on the wall and the bricks on the ground. At that time, many murals were painted with white ash, and the workers carefully cleaned them, so that these exquisite murals would be seen again.”

  At the two entrances of the rebuilt ancient temple, the reporter saw two couplets. The couplets at the back gate were “The great craftsman and the high doors were all inclusive; the rules and regulations were established to guide Huai (the word “Huai”) to know the present”; the couplets at the front gate of the front gate were “The rules set the square and round Yi Shike followed this method, and the ink rope was divided into curves and straight crafts and used the materials well.”

  Huang Qunqing told reporters that these two couplets were written by later generations during the renovation, demonstrating the connotation and professional principles of craftsmanship.

  Huang Qunqing said that since the restoration of the Luban Temple, Sanshan Village will also spontaneously hold a master’s birthday (i.e. Luban’s birthday). If you cannot come back, the craftsmen of Sanshan Village will celebrate at the construction site. “I have a special relationship with this Luban Temple. Every year, the master’s birthday is Babaylan 1990 cloth drawI will come back.”

  Development: selected as the second batch of national characteristic towns

  Sanshan Village Chairman Li Zhipei said that in the past, 70% of the men in the entire village were engaged in the construction industry, but now only a few craftsmen are still sticking to it. “In the past, ancient buildings were focused on slow work and meticulous work. Sometimes a worker could only build 25 blue bricks and 3 step bricks a day. In the eyes of young people, craftsmen dealing with bricks and mud is a physical job, and they don’t like to do it.” Li Zhipei said.

  The famous gray sculptor Liang Mian is from Sanshan Village. His father was originally a Shawan plasterer. He learned art from his father since he was a child and has devoted himself to studying gray sculpture art for more than 50 years. The works created are used in Shawan Aoshan Ancient Temple, Baomo Garden, Nanyue Garden, Qinghui Garden, Xishan Temple, Nanhua Temple, Shunfeng Park, etc.

 Cinema 1950 witch clothes drawNow, Liang Mian opens a learning studio in Sanshan Village to inherit the skills of gray plastic. “I have a small gray plastic workbench at home. My grandchildren like it very much. I can learn it and learn it. I will teach them as soon as I am free.”

The famous gray plastic craftsman Liangmang Photo/Li Bo

  The architectural craft has always been passed down in the form of master and apprenticeship, and has never entered the school to become a subject. However, Sanshan Village offers courses such as gray plastic in primary schools and kindergartens, which are popular among children.

  In a small street shop in Sanshan Village, Li Guangyong is creating a gray-plastic work called “Eight Immortals Picture”. “This work was originally prepared to participate in the village’s Luban Festival exhibition this year, but unfortunately I didn’t get it. I missed it. It’s good to miss it, you can calm down and polish it slowly.”

  While chatting with reporters, Li Guangyong held a handful of multi-head wood cone and pressed it on the gray-plastic panel, making it easier for the panel to hang clay material. “It’s not time to display this year, so I’ll wait for next year.”

  2Cinema 1950 witch cloth draw In 017, Sanshan Village was selected into the second batch of national characteristic town list. Li Zhipei said that Sanshan Village has a history of more than 800 years, and the commemoration of Luban will become the village’s annual festival – “Luban Festival”.

  Li Zhipei also proposed to build a Luban Cultural Square to the north of the ancient temple and build a craftsman museum to collect and exhibit craftsmen’s works across the province to attract more young people to learn. In the future, Sanshan Village will be built into a characteristic town of craftsmen in Lingnan ancient architecture.

  Inheritance: Let young craftsmen see career prospects

  Zhu Qiuli said that urban and rural historical and cultural heritage is mainly protected by craftsmen. Now, Cinema 1950 witch cloth draw is mostly over 50 years old, and no successor is a common problem. “The lack of vocational education and the narrow teaching of masters and apprentices has exacerbated the crisis of craftsmen’s inheritance.”

 How to solve the problem of craftsmen’s inheritance? Zhu Qiuli believes that to retain craftsmen, we must first have encouragement policies. Old artists must have the right status. With the status, they must also have corresponding cultural heritage allowances and guarantee mechanisms. “Traditional architectural craftsmanship and modern architectural decoration-There must be professional title assessment so that young craftsmen can see their career prospects. “Babaylan 1990 cloth draw

  ”As the craftsmen grow old, the technology of ancient building construction grows old. For example, there are no more good people in the market to build bamboo trellis. This is also a traditional craft for restoring ancient buildings. The bamboo trellis is lightweight. It is suitable for repairing one or two floors of ancient buildings, which is more convenient than iron racks. “Ouyang Lun, an ancient building repair expert, told reporters.

A ancient building expert told reporters: “Now the government departments have vigorously promoted the activities of famous craftsmen, the status and treatment of craftsmen have gradually improved. In addition to paying attention to a few famous craftsmen, we should also pay attention to ordinary craftsmen. Only in this way can we not deviate from the essence of protecting ancient buildings and their traditional craftsmanship. ”

  The expert believes that the value of craftsmen lies in inheriting traditional techniques and striving for excellence. Craftsmen are the basic guarantee for restoring the original appearance of ancient buildings. They attach importance to craftsmen, which reflects respect for traditional values. Only when craftsmen have successors can these precious ancient building construction techniques and spiritual qualities attached to them be preserved. (Xiao Guilai)

  Source|Guangzhou Daily

  Editor|Cui Wencan

  Internship Editor|He Haoxian

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