Since ancient times, Lingnan has had the custom of “committing friends with dragons”. “Picking dragon boats” on the Dragon Boat Festival is not only a traditional folk activity, but also an important ritual for people to visit relatives and friends. The dragon head is regarded as the “soul” of the dragon boat. It is a detachable independent component. The dragon head with different shapes and unique charms gives each dragon boat team a unique meaning. At the same time, the dragon head is vigorous and beautifully carved, and has become the object of people’s focus.
A craftsmanship, a craft, and a perseverance. They use a dragon boat bow to carve traditions, and also carve the spirit of craftsmanship and life.
Zhang Weichao has carved dragon boats with dragon heads and tails for more than 20 years. Liu Zhuonan photographed by Liu Zhuonan. The “head” who appeared at the Winter Olympics comes from GuangzhouKomiks 1960 witch cloth draw This “post-80s” in the 1980s
Yangcheng Evening News All-Media Reporter Liu Zhuonan Guo Siqi
In Xiasha Village, Huangpu District, Guangzhou, there is a special ancient ancestral hall. When you walk in, you can see that the blue brick wall is covered with oars of rowing rows of dragon boats. On the other side, exquisite dragon heads are arranged in a staggered manner, with longan eyes wide open, elegant beards and domineering. Walking further, I saw a wide variety of woodcarving tools such as planers, chisels, saws, files, etc. on the ground. Wood chips floated in the air, and the sounds of machines and knocking sounds came one after another. This Komiks 1960 witch cloth draw is Zhang Weichao’s dragon boat carving studio.
Zhang Weichao is a “post-80s”. He has been carving dragon boats with dragon heads and tails for more than 20 years. At the opening ceremony of this year’s Beijing Winter Olympics, in the countdown session set by 24 solar terms, a leader with great Chinese traditional characteristics surfaced with splashes. This is Zhang Weichao’s leading work. From his childhood “playing around” to now moving to the world stage, Zhang Weichao has grown into a well-known dragon boat dragon head and tail carving craftsman in Guangdong, and is also the inheritor of the intangible cultural heritage of this project. He said: “Behind the dragon boat and dragon head skills, Cinema 1950 witch cloth draw is our folk culture, our roots and soul. ”
Zhang Weichao’s leading work Photo provided by the interviewee
Start origin:
“Dragon boat is the most important cultural mark of my childhoodKomiks 1960 witch cloth draw“
Talking about the dragon boatCinema 1950 witch cloth Draw‘s origin, Zhang Weichao said this was the most important cultural mark of his childhood. “Since I was a child, I loved watching dragon boat racing in the village. Children would make some small toys by themselves, and the small dragon boat model is one of them. “Zhang Weichao’s father is an old carpenter with a complete range of woodcut tools in his home. He also learned some carving skills under his influence. In addition, Babaylan 1990 clothes DrawFriendship and talent, he became the “ceiling” of carving dragon boats among his childhood playmates.
At the age of 12, Zhang Weichao sold his first dragon boat model. When he was in junior high school, people from other villages asked him to customize and buy it. Gradually, Zhang Weichao was a little famous. He was still in school at that time and could only use his holidays to work. A model often took a summer vacation. In order to understand the shape of dragon boats in more variety, when it came to Dragon Boat Festival, Zhang Weichao took a ruler and a painting to read the dragon boats in the surrounding villages and record the data. During other times outside the Dragon Boat Festival, the dragon boats were sunk under the surging water, and Zhang Weichao often dived to understand the shape of dragon boats. “At that time, he seemed to have entered another small world. If he liked these things, he wanted to study them. My own works have been recognized and I am particularly proud. “Zhang Weichao said.
Zhang Weichao is carving the leading head Liu Zhuonan.
Turn:
Resigned from the “iron rice bowl” and carved the leading head full-time “leader head”. 2009 was a turning point for Zhang WeichaoCinema 1950 witch cloth draw. At that time, he graduated from the auto repair major of vocational school,I have been staying at school as a practical teacher for more than a year. It was difficult to take into account both teaching and carving, so he decided to resign and concentrate on dragon boat carving. “It would seem like the whole world was opposing it.” At that time, there were only six or seven dragon boat production factories in Guangzhou. There were only a few craftsmen who worked in hand-carved dragon boat dragon heads, and most of them were over 50 years old. In the eyes of many people, Zhang Weichao, 22, made this choice, which seemed “very crazy”. But, soon, he proved himself.
One month before the Dragon Boat Festival in 2010, Zhang Weichao received a difficult order, and Luntou Village, Haizhu District urgently needed to become three new leaders. He had never carved a dragon head before, and he had to make three dragon heads in a month, and he was unsure. Babaylan 1990 cloth draw“The dragon head is the ‘soul’ of the dragon boat. It is an important symbol of a village. They trust me and I have to do it no matter what.” For this reason, Zhang Weichao worked day and night at home, and finally handed over three exquisite dragon heads on time. At that time, the news spread all of a sudden, and many people rushed to watch after hearing the news. “They were all surprised that I, who was a dragon boat model, actually made three leaders.” This also ushered in a turning point in his career – from dragon boat model carving to dragon head carving, he also became a well-known industry star, with orders coming one after another.
Caring a faucet is a very meticulous and complex task. Zhang Weichao introduced that the hand-made dragon head requires more than ten tedious processes such as wood selection, cutting, outlining, carving, polishing, and lacquer mounting. Complete a leading cycle, as short as one week, Cinema 1950 witch cloth drawIt takes about ten or twenty days, but the early kung fu often takes several months or even years.
“Every time I receive an order, the first thing I have to do is not carve, but go on a field trip and understand the history and culture of the village. I will let the villagers participate, especially young people, ask them to put forward some ideas for the production of the leader and combine their opinions to make it. A dragon boat leader may take decades or hundreds of years. While the villagers participate in the production, they also understand their own village history and culture and increase their cultural pride. Such a leader is particularly warm and has a story.” Zhang Weichao said.
Zhang Weichao is carving the dragon head Liu Zhuonan. Inheritance:
Find the cultural roots behind the dragon boat head
In 2020, the “Dragon Boat Dragon Head and Dragon Tail Production Technique” was successfully applied for World Heritage, and Zhang Weichao became the inheritor of this intangible cultural heritage project. Zhang Weichao’s mentality has changed some changes from a craftsman to a inheritor of intangible cultural heritage. “In the past, I was a craftsman, and I thought about how to be a leader and do my job well. But now I have more responsibility and responsibility. Intangible culture Komiks 1960 witch cloth draw Heritage is a very precious and relatively rare thing. It may be a slowly disappearing culture. We should protect it. Cinema 1950 witch cloth draw I just want to disappear slowly and slower. I can shoulder the inheritance of this historical and cultural heritage, and it is Cinema 1950 witch cloth draw is very honored and has a huge responsibility. “
Now Zhang Weichao often appears on major campuses and intangible cultural heritage inheritance activities. When teaching courses in school, Zhang Weichao not only teaches students how to carve, but more importantly, lets children understand the dragon boat and the cultural significance behind it. “Dragon boat skills cannot be learned at once, but they must become interested in dragon boats. Cultivate them to be traditional Chinese and folk culture from an early age.https://funnybookish.com/”>Babaylan 1990 cloth draw‘s recognition is our root and soul.” Zhang Weichao said.
Chen Zhijun and his leading works Photo provided by the interviewee
The post-60s craftsman uses the dragon bow to carry the spirit of the peopleBabaylan 1990 cloth drawFaith
Yangcheng Evening News All Media Reporter Zhou Cong
Select materials, cut materials, rough carving, fine carving, polishing, lacquer… “From the dragon’s mouth, dragon whiskers to the dragon scales, every time the knife is cut, it must be accurate, and it will be difficult to remedy if it fails.” Chen Zhijun, who started learning the art of Cinema 1950 witch cloth draw at the age of 15, has carved the dragon head for more than 40 years.
Chen Zhijun was born in Xiancun Town, Zengcheng District, eastern Guangzhou. The river network here is crisscrossing, making it the most prosperous hometown of the Dongjiang River Dragon Boats. Dragon head carving (traditional dragon boat) is the traditional carving technique of ZengchengKomiks 1960 witch cloth drawXiancun Town.
As a district-level intangible cultural heritage inheritor, Chen Zhijun recalled that since he was 15 years old, he learned carpentry with his father. Since he was 18 years old, he often learned the craftsmanship of carving his father by watching it by watching it. It was not until the age of 22 that Chen Zhijun began to carve the first dragon head. It is understood that in the early 1980s, after the revival of the folk dragon boat activity of Komiks 1960 witch cloth draw, dragon boat production has not yet entered shipyard production. If the village collective wants to order dragon boats, it must hire a shipbuilder to come to build ships in the village, and also find a master to carve the dragon head. Because the Chen family’s woodworking craftsmanship has a certain popularity, many local and surrounding people will hire Chen Zhijun’s father to carve the dragon head. Chen Zhijun also developed excellent carving skills under such a background.
With the development of dragon boat activities, the dragon shipyard began to appear. From shipbuilding to carving the faucet, the shipyard took all the links. The craftsmen who carved dragon leaders in folk began to fade out of people’s sight, and Chen Zhijun was one of them.
Until in recent years, the local youth dragon boat team in Xiancun has been customizedThe new dragon boat Komiks 1960 witch clothes draw. The dragon boat team hopes to carve the new dragon head in accordance with the traditional old dragon head. They inquired with the elderly in the village and learned that Chen Zhijun, the owner of the furniture factory in the town, is the inheritor of the Chen family’s dragon head carving, so they came to ask Chen Zhijun to “come out” again.
When Chen Zhijun studied with his father, he was taught to understand the dragon boat culture contained in the dragon boat head. Only in this way can he carve a dragon head with outstanding craftsmanship and both spirit and form.
“Traditionality cannot be lost, the foundation cannot be missingCinema 1950 witch cloth draw. The essence of the Dongjiang dragon boat lies in the dragon boat’s bow! I want to carve a vital dragon boat’s bow, and I treat it as a work of art.” Chen Zhijun has his own unique view on carving dragon heads.
The dragon head of a dragon boat represents the image of a village, especially the old dragon head left behind in the past. It records different stories from each village and is the carrier of dragon boat culture. Therefore, the essence of dragon boat lies in the dragon head. In the Dongjiang River Basin, dragon head is a major feature of dragon boats.
Whenever a villager comes to make a dragon boat bow, Chen Zhijun will ask about the historical folk allusions in the other village, and then integrate the characteristics of the gods believed in in each place into the creation of the dragon head, so each dragon head is unique. “I am happy that the villagers are satisfied with the leader,” said Chen Zhijun.
Chen Zhijun told reporters that during the carving process, he should also integrate his imagination and recreate all aspects of the dragon boat bow, which should be similar in spirit and shape. A dragon boat with excellent craftsmanship should show exquisiteness and convexity, and every angle has a beautiful appearance. When the dragon boat is lifted up on the river, it feels like it is flying. The dragon head should also feel like it jumps out of the water and fly up, and should be vital.
In Chen Zhijun’s view, the traditional culture behind the dragon boat reflects the people’s spiritual beliefs and emotional support. What he adheres to is the dragon boat spirit that works together and never gives up and the folk vitality of high spirits and upward and courageous progress. The material carrier of this spiritual civilization is the “Dragon Boat Head”.